Shreya Dhanwanthary always leaves a mark. Her performances as the fiery journalist Sucheta Dalal, connecting the dots in Scam 1992, or as Zoya, the new recruit in the Threat Analysis and Surveillance Cell (TASC) in The Family Man, stand out. She has come up with a new short film, titled Birth. The film—it is directed by Shayam Sundar, written by Neha RT, and produced by Natasha Malpani Oswal of Boundless Media—described as a satirical feminist thriller, is about a woman grappling with the anxieties of pregnancy.
We spoke to her about the film, how parents try to control their child’s future even before they are born, abortion laws in India, and boycott trends surrounding Hindi cinema. Excerpts:
Be it Scam 1992 or The Family Man, you have made OTT your space for a while now with series like Ladies Room (2016), A Viral Wedding (2020) and more recently Mumbai Diaries 26/11. What is your take on OTT as a medium?
I think OTT has given us a lot. It opened up the playground and gave opportunities to people behind the camera and those in front. It is a great place to be.
One thing that stood out for me in the film was how parents are hell-bent on shaping their child’s future even before they are born. What are your thoughts?
I think parents mean well. But this is also true that sometimes parents do get more controlling, especially in India. If it starts from a place of good intention then it is great, but a child’s interests should also be kept in mind.
As per a recent judgment in USA, states can now come up with their own abortion laws. Even in India, abortion is seen as a taboo. Your take?
It is actually legal to have an abortion in India. Our country has looked after the rights of women. It is just that not many people know about the laws and thus it is very hush-hush. There is also a lot of stigma involved. But I think India, when it comes to abortion, is lot freer than the US.
Where do you stand in the pro-choice and pro-life debate?
Nothing but pro-choice. Everything else is the wrong choice.
Hindi films are not faring well at the box office. Is it the boycott campaigns or content crisis?
I don’t think the boycott trends are affecting the box office. After the pandemic, it has become very costly to go to the theatre. Films too should be exciting enough to pull audiences to cinemas. I think we should concentrate more on making our own stories.
We should stop using a ‘formula’ that if one film is working in a specific culture so we should adapt or remake it. I think Hindi cinema should lead by example instead of following a pattern.
‘Birth’ is currently streaming on Disney+ Hotstar