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The fourth edition of the Kochi-Muziris Biennale formally wound up on Thursday with a closing ceremony.
Temsüyanger Longkumer is giving art enthusiasts a taste of life back at his home in Nagaland, while also urging them to rethink the idea of divinity.
The 77-year-old South African’s twin installation at Biennale profiles memory and identity formation; draws similarities in colonial history of the two cities.
Imagine gods of different religions holding a summit to discuss the predicament humanity faces owing to its wrongdoings over centuries. Surreal? Very much.
Shouldn’t Europe and America apologise for letting smartphones virtually swallow the entire mankind? Such a fantasy dialogue is what young artist Tabita Rezaire presents at the Kochi-Muziris Biennale.
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