Pune's Kasba Ganpati Temple: 900kg vermillion layer removed from idol 
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900 kg of sindoor was removed from Pune Kasba Ganpati after centuries

Earlier this year, Pune’s Kasba Ganpati idol was freed from a 900-kilogram layer of sindoor, revealing its original form beneath centuries of devotion

Atreyee Poddar

At Pune’s Kasba Ganpati Temple, layer upon layer of sindoor, applied faithfully by generations of devotees, grew into a 900-kilogram sheath around the idol. 

Pune's Kasba Ganpati Temple: 900kg vermillion layer removed from idol

For the first time in living memory, the centuries-old vermillion coating was carefully removed from the idol of Kasba Ganpati, widely regarded as Pune’s gram daivat—the city’s presiding deity and a symbolic anchor of its cultural identity. Established in the 17th century during the time of Jijabai, mother of Shivaji, the temple is not just another shrine in Maharashtra’s crowded religious landscape. It is the first among the revered “Manache Ganpati” during Ganesh Chaturthi.

The thick layers of sindoor had begun to deteriorate. What devotees saw as sacred coating had, over time, turned into a fragile, powdery mass. The lower layers were decomposing, losing cohesion, and in the process, damaging the idol’s surface. 

Experts were brought in and the temple was temporarily closed. Then, with a mix of conservation science and ritual sensitivity, the sindoor was removed layer by layer. Freed from its vermillion casing, the original idol appeared smaller, older, and markedly different from what devotees had grown accustomed to. For decades, perhaps longer, what people were seeing and worshipping was not the idol itself, but its accumulated history. 

Samples of the removed sindoor have been sent to laboratories to determine their composition, age variation, and material changes over time. Each layer potentially corresponds to a different period, a different sourcing of materials, even a different style of ritual practice. 

What happened at Kasba Ganpati, sits at the intersection of ritual, science, and modern governance. It raises uncomfortable but necessary questions: When does continuity become excess? Can faith accommodate intervention? And who decides when the sacred needs maintenance?

The idol now stands closer to its original form. The ritual of applying sindoor continues—but presumably with more awareness of its cumulative impact. And somewhere in a lab, centuries of devotion are being reduced to data points, waiting to tell their story in a different language.

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