Mariss Jansons, conductor of top classical ensembles, dies in Russia at age 76
Mariss Jansons, conductor of top classical ensembles including the Pittsburgh Symphony Orchestra and the Royal Concertgebouw Orchestra in Amsterdam, has died in Russia. He was 76.
Frankfurt, Germany (AP): Mariss Jansons, conductor of top classical ensembles including the Pittsburgh Symphony Orchestra and the Royal Concertgebouw Orchestra in Amsterdam, has died in Russia. He was 76.
Jansons’ death in St. Petersburg was confirmed by the Bavarian Radio Symphony Orchestra, where he was chief conductor. Jansons had cancelled concerts this summer because of health reasons, news agencies reported.
Born in German-occupied Riga in 1943 in what is now independent Latvia as the son of a conductor father and an opera singer mother, Jansons grew up in the Soviet Union and studied at the Leningrad (now St. Petersburg) Conservatory.
A Soviet-era exchange program brought him to Austria in 1969, where he studied with famed conductor Herbert von Karajan. Jansons’ work was also influenced by the legendary Soviet conductor Evgeny Mravinsky, who brought him in as his assistant at the Leningrad Philharmonic in 1972.
He was chief conductor in Pittsburgh from 1997 to 2004, regularly appeared at the Salzburg Festival, and in 2006 and 2012 conducted the Vienna Philharmonic New Year’s Concert broadcast around the world.
He left the Pittsburgh orchestra to become principal conductor of the Royal Concertgebouw, a post he held until 2015. Jansons is credited with raising the reputation of the Oslo Philharmonic through recordings and international tours during a 23-year tenure as music director.
Jansons’ musical focus was large-scale orchestral works by 19th-century central and eastern European composers including Mahler, Dvorak, Bartok, Brahms and Shostakovich.
He was known for close attention to detail in rehearsal and made extensive pre-concert sound checks, listening from different points in the hall while one of the musicians wielded the baton and even adjusting the position of players’ chairs to get the sound he wanted.
“The notes are just signs,” he was quoted as saying in a 2012 interview. “You have to go beyond them and see what your fantasy tells you. But how do you express that through sound? If you think of the technical aspects of conducting as being on the ground floor of a big building, then 20 floors up you are beginning to get the sound you want.”
Jansons, who said in the interview that he held both Russian and Latvian passports, collapsed on stage during a concert performance of Puccini’s opera La Boheme in Oslo in 1996 after suffering a heart attack and was subsequently fitted with a defibrillator.