BERLIN: A Berlin museum is opening an exhibition based on years of research into expressionist painter Emil Nolde that chips away at the remnants of his image as a victim of the Nazi regime.
Nolde, who died in 1956, was among the prominent artists whose work was condemned as "degenerate art" under Nazi rule.
But he was also a Nazi party member and, as the exhibition presented Thursday at the Hamburger Bahnhof museum shows, an anti-Semite and believer in Nazi ideology who held out hopes of winning the regime's recognition even after he was banned in 1941 from exhibiting, selling and publishing.
The show also explores Nolde's elevation as an artistic pioneer and Nazi victim after World War II. It closes with "Breakers," which hung for years in Chancellor Angela Merkel's office until Merkel recently returned it to Berlin's museum authority for the exhibition.
"Our view of Nolde will have to change, and our thinking about this artistic figure will have to be a different one," museum director Udo Kittelmann told reporters. "It is only now obvious how systematically he ingratiated himself with Nazism and particularly its anti-Semitism."
The exhibition is the result of a research project that started in 2013. Historians and curators Aya Soika and Bernhard Fulda were granted unrestricted access to archives containing more than 25,000 documents at the Nolde Foundation in Seebuell, near the Danish border, where the artist lived.
The exhibition includes documents from throughout Nolde's career, including anti-Semitic letters from the artist dating back to before World War I. It explores his conviction that he was a misunderstood artistic genius and his claim that he was boycotted by a supposedly Jewish-dominated art scene.
Nolde was Heinrich Himmler's guest of honor at an event in 1933, months after Adolf Hitler took power, and positioned himself as a pioneer of pure "German" art in a 1934 memoir. In 1935, Essen's Museum Folkwang acquired more than 450 graphic works by Nolde.