

Long before her voice became a part of big-screen film soundtracks, Jasmine Sandlas was just another teenager in the world, struggling to find her voice on her own terms. Without the help of a record label or connections in the music industry, she relied on instinct and hard work. Now, as her songs for the film Dhurandhar and its sequel are trending, her early days, especially the ones spent selling CDs for ₹20 outside clubs, have become a powerful reminder of where it all began for her.
Jasmine Sandlas was born in Jalandhar, where she spent her childhood penning poems and setting them to music. Fame was not something she aspired for. What stuck with her was something her mother always said not to suppress her voice.
At 13 years old, Jasmine relocated to California. This was not easy for her. She felt caught between two worlds and didn’t know where she belonged. Music became her constant companion. She drew on her Punjabi heritage and California hip-hop to develop a sound she felt was personal and genuine.
By the time she was 16, Jasmine Sandlas had already begun to pursue her dreams in an overt manner. She made her own CDs and sold them outside clubs at just ₹20. There were no shortcuts. No one was promoting her. She was just assuming someone would listen. This phase is one of the most defining periods in her journey.
Her early song Muskan was a turning point, but she also felt exposed. However, over time, songs such as Gulabi, Yaar Na Miley, and Illegal Weapon helped her reach a larger audience. She was a recognisable voice, but she never wanted to conform to a particular image.
Rather than seeking visibility, Jasmine Sandlas decided to step away when needed. She chose authenticity over visibility. This decision has helped her re-enter the music scene without losing her voice. Her recent work in Dhurandhar has been the same. One of the songs in the film, Jaiye Saiya, was recorded at 4 am, just before the release.
For more updates, join/follow our WhatsApp, Telegram and YouTube channels.