Versatile actress Rasika Dugal, who recently won Diversity Champion Award, opens up about her love for cinema, life journey, choice of films, her partner and lots more

I was thrilled to represent my film at the Indian Film Festival of Melbourne, a festival I’ve longed to attend. Although I missed previous editions, such as last year with Lord Curzon Ki Haveli since I was busy shooting, these festivals have been pivotal in my acting journey. Early on, films like Kshay, my first lead role, received crucial recognition and support through festivals, fueling my motivation. Similarly, Qissa was screened at the 2013 Toronto International Film Festival and Manto premiered at Cannes. Film festivals have consistently provided encouragement and validation. The discerning audience and palpable love for cinema at these events offer a lot of hope and reaffirmation during the profession’s fluctuations.

The unique storytelling style of director Kaushal Oza was a major draw for me to take on this film. Having collaborated with him before and knowing him already, since we were in the same film school, I value his distinctive approach. The film, a dramedy, features a heartwarming yet nuanced story about a family in Goa navigating the complexities of their relationships and financial struggles. It mirrors the experiences of many middle-class families in India. The story blends drama with moments of humour in a rhythm that captivated me.

Rasika DugalPortraying Beena Tripathi in Mirzapur was a thrilling departure from my real-life persona, making the role particularly exciting. Acting offers a unique opportunity to explore different aspects of oneself that aren’t always evident in everyday life. Beena’s character was notably different from the morally upright roles I had previously played and I was elated to be cast in such a multifaceted role. Despite my initial doubts, I’m grateful that the casting team and director saw beyond stereotypes and believed in my ability to bring Beena to life. The project was a promising venture with a talented ensemble cast, including Pankaj Tripathi, Ali Fazal, Shweta Tripathi, Vikrant Massey and myself — some of whom had started their careers approximately around the same time as me. Collaborating with them on a single set was a rewarding experience and I always felt their talent deserved recognition. I value the love that people have showered upon Mirzapur. As far as I know, fans will get to enjoy the fourth season, as it is currently under process.

This is a challenging question because my criteria often shifts. However, one constant is my excitement about working with my creative collaborators, particularly the director and co-actors. If I feel a strong connection and enthusiasm for working with them, I’m inclined to say yes to the project. Filmmaking is both a collaborative and personal endeavour and when those creative partnerships align, it creates something truly magical. I’ve been fortunate in this regard. It’s a team effort; much of what is seen as your work depends on the contributions of others in your team.

I had glimpses of my passion for acting throughout my life, from school plays and dance performances. Initially, I didn’t consider acting as a career due to a lack of family precedent. Even joining the dramatic society in college was more about fitting in at Delhi University than a deep-seated desire to act. Coming from a small town, I felt others were smarter and brighter, so participating in theatre was my way of finding my place. Despite this, I genuinely enjoyed being a performer. It wasn’t until I studied films as part of my Social Communications Media course and later joined FTII’s acting program that my passion for cinema truly ignited. The immersive environment at FTII revealed acting as my true calling, like finding a soulmate and there’s been no looking back since.

I don’t differentiate much between mediums when I’m working; my approach remains consistent across all forms of storytelling. However, I do acknowledge that theatre is unique. One important lesson I learned from theatre is that, ‘the show must go on.’ There were times when we had back-to-back shows and even when I was unwell, I would wonder how I could possibly perform. Yet, once I stepped onto the stage, the adrenaline would kick in, allowing me to carry on. Cinema, however, holds a special place in my heart, partly due to my formal training in it. Every time I step in front of the camera, I feel an immense responsibility, knowing that what I create in that moment will be recorded and remain for posterity. Unlike theatre, where there’s always another show to refine my performance, in film, what’s captured is permanent.

It’s a blessing to have a partner in the same profession, especially given the unpredictable nature of an actor’s life. Plans are always subject to change, and committing to personal plans becomes nearly impossible. Fortunately, Mukul and I understand each other’s professional demands without needing to explain ourselves. If I had a partner from a different profession, it might have been challenging for them to grasp this reality.

(Smiles) It’s hard to advise on something so personal, and I usually shy away from discussing it because everyone’s experiences are unique. But I do believe that a successful relationship is constantly evolving. What makes it exciting is knowing that both partners will change and that your relationship will take on different versions at different times in your life. It’s not something that remains constant, and embracing that change is what makes it beautiful.

I am a feminist, but I don’t believe that any particular role needs to align with my feminism. In fact, I find it fascinating to portray characters whose politics differ from mine — like Beena in Mirzapur. It’s intriguing to step into a mindset different from my own. But I prioritise stories that resonate with my values. The overall message of the story must align with my politics because, if I’m part of telling that story, I want to be completely honest in my portrayal. For me, it’s essential that the story maintains the integrity and standards I hold myself to.

I don’t need to unwind (laughs). My work itself offers so many opportunities to explore new things. No experience is ever wasted and I’m fortunate to have worked in such diverse roles that push me to learn new skills. That’s what makes it so exciting. For instance, while preparing for Little Thomas, I got to play the piano for three to four months. Similarly, for a sports drama series I did, I learned to play volleyball for several months. So, yes, my unwinding happens within the realm of my work.

I’m eager to explore comedy more and would love to play a central role in a comedic film or series. Recently, a show called Shekhar Home was released on August 14. I’ve also worked on a film titled Lord Curzon Ki Haveli, which should be released soon. Additionally, I’m excited about a new show called With Applause, directed by Rohan Sippy, where I portray a completely different character. I’m looking forward to seeing how that turns out. Soon, I’ll begin shooting for Delhi Crime Season 3.

I’ve found that regular exercise is the best way to stay centred and maintain healthy skin. It’s a discipline I’ve happily embraced. When it comes to fashion, I rely on my stylists, as my knowledge in this area is limited. However, I have a deep appreciation for handcrafted work and sustainable fashion. During the promotions for Mirzapur, I consciously chose traditional and handcrafted pieces, including saris with mukaish work and kalamkari, to support and promote artisanal craftsmanship.