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Mind and Body

Here's why pole dancing is the newest fitness sensation with Bollywood celebs

From Jacqueline Fernandez and Yami Gautam to Kriti Kharbanda and Uorfi Javed, here's why pole dancing is a favourite fitness fad

Atreyee Poddar

There was a time when the very mention of pole dancing in India came with a lowered voice and a raised eyebrow. It was shorthand for everything society didn’t want to engage with, i.e., desire, display, women owning space with their bodies. That association lingered for years, unfairly flattening an art form that was always far more demanding than it was scandalous.

Pole dancing is one of the toughest workouts around

That wall has finally cracked. And Bollywood, in its own roundabout way, has helped. Scroll through celebrity fitness feeds today and you’ll spot pole work nestled comfortably between Pilates, animal flow and strength training. Jacqueline Fernandez returning to the pole and openly admitting how punishing it is. Malaika Arora treating it like any other conditioning tool. Yami Gautam, Kriti Kharbanda, Avneet Kaur — names that don’t provoke controversy anymore, just curiosity.

Pole, stripped of lazy assumptions, reveals itself as one of the most unforgiving fitness disciplines around. It demands grip strength that leaves forearms screaming, a core that can stabilise mid-air, shoulders that can pull and hold body weight repeatedly, and flexibility that can’t be faked. Most beginners don’t get past the basics without bruises.

The irony, of course, is that the very thing that once caused outrage that is exposed skin, is what makes the practice possible. Skin grips metal and fabric slips. Anyone who has actually tried pole understands this within five minutes.

Social media didn’t sanitise pole dancing, but it did demystify it. The reels that travel fastest aren’t performances but practice sessions. Failed climbs, slippery hands, exhausted laughter. Viewers see effort before aesthetics, training before allure. That visibility has done more to dismantle stigma than years of defensive explanations ever could.

Studios in Mumbai and Delhi will tell you the same thing quietly: most new students aren’t aspiring performers. They’re professionals, dancers, fitness regulars bored of predictable workouts and looking for something that actually challenges them. Bengaluru caught on early and now Kolkata too is catching up.

There’s an unavoidable gender conversation running underneath all this. Pole dancing sits at an intersection Indian society still struggles with strength and sensuality occupying the same body. 

Bollywood didn’t make pole dancing acceptable. It made it visible in a way the mainstream couldn’t ignore. When something shows up often enough, performed seriously enough, stigma gets tired.

Pole dancing hasn’t been cleaned up or softened to earn respectability. It has earned it by also being understood finally as athletic labour.

This isn’t a gimmick phase or a shock‑value stunt. Pole dancing has very publicly rebranded itself as a serious fitness discipline, a performance art, and, yes, a confidence revolution. And Bollywood, predictably, has helped push it over the edge into the mainstream. Pole dancing was always physically brutal. There’s a reason most beginners can’t hold their own body weight on day one. The pole humbles you fast. And that humility combined with visible progress is addictive.

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